Events
10/17/2024 - Out Of Paper: Book Release & Signi...
Please join us for a reading and book release for Katie Anania’s Out of Paper: Drawing, Environment, and the Body in 1960s America (Yale University Press)
Thursday, October, 17th from 5pm at Tomorrow Today
Out of Paper is a dynamic look at how artists used paper to radically redefine the relationship between the body and its surroundings, and to propose new conceptions of ecology. From sketches created inside pants pockets to paper-strewn performances that took cues from protests and riots, the work on paper in the 1960s acted as a mobile, flexible connective tissue between the body and the world around it. In this book, Katie Anania reveals how artists harnessed this historically intimate medium during a period in which Americans were becoming urgently concerned with identity, consumer culture, the overreach of state power, and the rapidly deteriorating natural world. Her reexamination of drawing shows how the omnipresence of paper facilitated artists’ critiques of dominant systems, from modern throwaway culture to bureaucracy to colonial violence. Engaging a wide range of actions—such as recycling, recording, cutting, planning, and erasing—the book offers fresh insights into paper’s role not merely as a preparatory medium but one essential to the histories of performance, minimalist, conceptual, and land art.10/17/2024 - Out Of Paper: Book Release & Signi...
Please join us for a reading and book release for Katie Anania’s Out of Paper: Drawing, Environment, and the Body in 1960s America (Yale University Press)
Thursday, October, 17th from 5pm at Tomorrow Today
Out of Paper is a dynamic look at how artists used paper to radically redefine the relationship between the body and its surroundings, and to propose new conceptions of ecology. From sketches created inside pants pockets to paper-strewn performances that took cues from protests and riots, the work on paper in the 1960s acted as a mobile, flexible connective tissue between the body and the world around it. In this book, Katie Anania reveals how artists harnessed this historically intimate medium during a period in which Americans were becoming urgently concerned with identity, consumer culture, the overreach of state power, and the rapidly deteriorating natural world. Her reexamination of drawing shows how the omnipresence of paper facilitated artists’ critiques of dominant systems, from modern throwaway culture to bureaucracy to colonial violence. Engaging a wide range of actions—such as recycling, recording, cutting, planning, and erasing—the book offers fresh insights into paper’s role not merely as a preparatory medium but one essential to the histories of performance, minimalist, conceptual, and land art.